Review of Danez Smith’s Don’t Call Us Dead. The Yale Review 106, no. 4 (October 2018): 163–69.
Review of Karin Roffman’s The Songs We Know Best: John Ashbery’s Early Life. Chicago Review 61, no. 3 & 4 (Summer 2018): 207–11.
Four entries (Charles Burns, Chris Ware, Alison Bechdel, Bryan Lee O’Malley) for “The 100 Pages That Shaped Comics.” Vulture, 16 April 2018.
“Cathy Park Hong: ‘Ballad in A.’” Poem Guide on the Poetry Foundation website, 28 February 2018.
Review of Craig Morgan Teicher’s The Trembling Answers. Harvard Review Online, 22 February 2018.
Review of Frank Bidart’s Half-light: Collected Poems 1965–2016. The Yale Review 106.1 (January 2018): 178–91.
Review of Natalie Shapero’s Hard Child. Chicago Review 60.4–61.1 (2017): 233–37.
“Showcase Showdown.” BOMB Daily, 3 July 2017. (Review of Adrienne Raphel’s What Was It For.)
“‘Master of None’ and Everyone.” Public Books, 9 June 2017. (On season two of Aziz Ansari’s Master of None.)
“The Fuzzy In-Betweenness of Everything.” Slate, 8 December 2016. (Review of Paul Muldoon’s Selected Poems 1968–2014.)
“The Improbable Life and Prescient Poetry of Basil Bunting.” New Yorker Page-Turner blog, 2 August 2016. (On Basil Bunting’s “Briggflatts” fifty years on, and The Poems of Basil Bunting, ed. Don Share.)
“Wear Your Wig.” Boston Review (May–June 2016): 62–64 .(Review of Terrance Hayes, How to Be Drawn.)
Review of David Orr’s The Road Not Taken: Finding America in the Poem Everyone Loves and Almost Everyone Gets Wrong. Harvard Review Online, 29 April 2016.
“To Shoot Your Own Ghost.” The Oxonian Review 30 no. 2, 22 February 2016. (Review of Don Paterson, 40 Sonnets.)
“Ready to Sing: Angie Estes’s Enchantée. Los Angeles Review of Books, 22 May 2015.
“Music.” Elizabeth Bishop in Context. Edited by Angus Cleghorn and Jonathan Ellis, Cambridge University Press, forthcoming.
“Documentary.” Keywords for Comics Studies. Edited by Ramzi Fawaz, Shelley Streeby, and Deborah Whaley, NYU Press, forthcoming.
“Ready to Sing.” The Allure of Grammar: The Glamour of Angie Estes’s Poetry. Edited by Doug Rutledge, University of Michigan Press, forthcoming 2019.
“Causes for Excess: Elizabeth Bishop’s Eighty-Six Exclamations.” Elizabeth Bishop and the Music of Literature. Edited by Angus Cleghorn and Thomas Travisano, Palgrave Pivot, forthcoming 2019.
“History Lessons.” Los Angeles Review of Books, forthcoming. (On Evie Shockley’s semiautomatic, Ange Mlinko’s Distant Mandate, and the turn to history in contemporary poetry.)
“I’m a Pencil Cat.” Cambridge Quarterly, forthcoming. (On Brent Hayes Edwards’s Epistrophies: Jazz and the Literary Imagination and jazz and literary criticism today.)  

“The Yoke’s on Us.” The Common 16 (Fall 2018).
“Recycler.” Poetry 211, no. 4 (January 2018).
“Laws of Motion.” Prelude, forthcoming.
“Like Clockwork (after Andy Warhol).” Prelude, forthcoming.
“One-Star Review.” Prelude, forthcoming.
“No Easy Way Down.” Colorado Review, forthcoming spring 2019.

The Common Friday Reads: October 2018. (On Marilyn Chin’s A Portrait of the Self as Nation.)
Poetry Magazine Reading List: January 2018. (On end-of-2017 reading.)